This is probably the highest quality chair I’ve seen to date. The frame on this chair was massively built from solid, thick pieces of hardwood, and the overall shape of the chair was really well proportioned.

The chair had a seat label present, with the original pink fabric, but I’m not familiar with the company.

The pink fabric was still in semi-decent shape, but it was torn and frayed on the arms, and overall sun-faded.

During:

After!
Note: the colour of the fabric is a light grey, but because of the lighting, it looks very pale, almost off-white.

Here is the second of 3 pieces for one of our clients, redone in a natural linen fabric.

Previous piece(s) can be seen here:
Pair of Easy Chairs

Before:
Note: This loveseat had seen better days, and was badly torn, but the frame was very good quality, and the frame uses coils rather than no-sag springs (better quality).

The “attached” back cushions were barely still attached.

After:

Since I started working with Lefebvre’s Upholstery, this was the first project we did where we changed the old fabric with a nearly identical new fabric. Usually the owner wants something new, and different, and with this rocker, they liked it as-is, and just wanted new fabric.

Before:

Frame stripped down:

After!

Here’s a very interesting retro chair. It came into our shop in an old mint green fabric, with a torn bottom fabric, and missing centre button.

Several of the string ties were torn loose (not that clearly seen in this photo):

Back springs re-tied, frame repaired, and legs re-sprayed in fresh black paint.

Finished chair. Note that the fabric is a velvet/velour type with a pattern of leaves (see last photo).

Here is a simple square-back arm chair redone in a white cotton fabric. The original seat cushion was missing.

You can see the fading from the sun over time.

During:

After:

Here was a rather nice old wing chair. Likely from around 1930-40. It had wonderfully carved Chippendale style “claw and ball” feet.

As received, the chair had clear signs of a poor upholstery job. If you look carefully, you can see a lot of uneven bumpiness, loosely stitched corner joints, and some other issues.

Legs (before touch-ups):

Lots of wrinkles and lumps:

The back looked pretty bad. Notice how the top follows just down half the wing, then makes a loose curve away from the edge. Check the last photo of this post to see a much better finish for a curved back panel.

Pierre knew immediately that this was a terrible job, and he cut a few exploratory holes into the upholstery. Here’s what we found:

After removing the pink layer and extra padding, he had most of the original green embroidered (and quite beautiful) original fabric:

Here’s the chair completely stripped of the green (which we were able to use for our patterns).

Thin new layer of padding over the original cotton.

And finally, the completed chair. What a difference!

The legs were touched-up with a very dark stain (near black), and waxed for a soft sheen.

Note how the back now follows the beautiful curves of the chair frame.

These were two fun and interesting ottomans. The owner had us paint the frames white, and reupholster them.

As received (I actually really loved the look of the old yellow-gold velvet):

After:

Note: the casters are going back on them, but they needed to be cleaned and polished, and the owner was going to do them himself.

This was a rather awkward break to repair, but in the end, it turned out quite well.

The table was purchased online, and it arrived to our client with one leg very badly damaged. The table is made to look like a Louis XVI style piece, but it’s a fairly recent reproduction. Because of this, some of the joinery (construction and glue joints) are not the best quality, and the table didn’t travel well.

Here’s the table “as received” and viewed from the back (the front has a drawer).

Details of the break:

To reglue the joint, we had to make custom clamp blocks. Once the leg was dry, the excess glue was removed, and portions of the damaged veneer were cut away for new mahogany patches.

Hairline cracks were puttied.

The finished table, after colour matching, touch-ups, and lacquer.

Can you see it?

This chair has been done for over a week, and I’ve been itching to post photos about its restoration, but due to the sheer volume of photos taken during the process (close to 200), it’s taken me a while to decide which ones to choose, edit, and include in this post. That said, there are still 57 photos. I hope you will all enjoy seeing the process involved in an extensive antique chair restoration like this one.

The chair arrived to us at the shop in fairly nice shape, but with dirty and worn fabric, and with both front arm scrolls badly broken (and poorly repaired). The chair had a decorative edging (piping or gimp) but it was missing from the chair, which made it look even more rough. We could tell it was going to be a lot of work, but we didn’t quite expect to have this much work to do on this chair initially (as you’ll see).

The chair “as received”:

Right Arm:

Left Arm:

As I pointed out earlier, the chair didn’t seem to be too bad, up until we started to strip it down. One of the first discoveries was on the bottom. As you can see from the following photo, the webbing (straps) have been doubled-up in an attempt to re-stiffen the chair bottom, and you can also see a LOT of straw dust, which tells you that the stuffing has started to fall apart.

We also found that on top of the awful screws, the right arm had been repaired with a yellow number 2 pencil. What an awful repair. How is glue supposed to stick to the yellow paint? Are wooden dowels that expensive? Repairs like this on such a beautiful chair are a sad sight to see.

Chair partially stripped.

The springs themselves were fine, but all the ties were completely finished (meaning that all of the springs need to be taken out and re-tied.

More and more structural issues were found in the frame. Here you can see that all the glue blocks are unglued, on top of all the burlap, which is torn and falling apart.

Left side:

The other side was equally bad (Right side). The moulding along the bottom of the chair was also unglued and missing a chunk. This was likely a “factory goof” where the moulding was cut too short, but it originally had a patch which has fallen out and been lost.

One of the major issues was that the curved arms at the top of the chair were severely damaged along the edges. There was literally no wood left to tack our stuffing and fabric to.

These problems were caused by two things: number one is the grain direction, which is weak along the curve (especially on mahogany, which is a bit soft), and secondly, the bulk of the damage is from multiple upholstery jobs over the years. The sheer number of tacks put in and removed over time has really turned the wood into Swiss cheese. The only way to repair this is to patch and repair the wood, which was a LOT of work.

During the stripping-down process, we uncovered traces of at least 3 previous fabrics (on top of the white patterned fabric above). A burgundy, yellow (patterned), and light blue:

We stopped at this point, and called our client to tell her the bad news, and find out if she wanted us to continue with all the additional repairs, which would necessitate the complete dis-assembly of the chair frame, and several (complicated) wood repairs.

After confirmation, work continued on the chair. The upper back stuffing was removed, and the frame was gently knocked apart. Here you can see the front legs with worn sections cut away. We only removed the really bad sections to preserve as much of the original material as we could.

New mahogany patches were carefully cut, sanded, shaped, and fitted for each patch.

For the front legs, we were able to use the band saw to cut away the bad sections, but for the curved arm rests, we couldn’t do this because of the complicated curves and angles, so all the patches had to be carefully hand carved. These repairs took an entire 8 hour day to complete.

The two most complicated patches were the two inside corners, which were both kind-of a banana curved shape.

Front legs:

Underside of left arm:

Underside of right arm:

Chair pieces:

After many hours, the chair frame was reassembled.

All of the tack holes in the frame along all the edges were filled.

Repaired and patched right and left arms:

Frame repairs before staining:

Moulding repair:

Frame after all the repairs were done, stained, and touched-up.

Now was finally time to start putting the chair back together. Here we see the new webbing and springs.

8-way hand tie.

New burlap cover.

After the new burlap, we re-installed the original straw-stuffed edge roll, re-stitched that in place, then re-applied the original straw and horse hair stuffing, which was then topped with cotton and a muslin top cover.

New fabric. The owner wanted a more modern look for the chair, and she chose this zigzag fabric with a coordinating deep maroon for the exterior.

Back stuffing re-installed, along with the new muslin cover, and top fabric. We had to make new patterns for these pieces since the originals were not the correct shapes to properly fit the curve.

Exterior fabric.

And finally, the finished chair. This is a truly stunning piece of furniture.

I really love this red.

A detail showing the beautiful hand carved mahogany legs, and the piping.

The repaired arms. The deep cracks are still a bit visible, but the chair had been repaired at least twice before, which made it very difficult to get a perfect clean joint (despite lots of hand carving and glue removal).

The bottom was finished in a black fabric using old fashioned tacks to keep the chair looking historic.

The same lady with the previous two pink easy chairs also had this sofa, which we upholstered in an off-white, with coordinating cushions.

Before:

After: